Nine antiphons - 1. O rubor sanguinis, 2. Studium divinitatis, 3. Unde quocumque, 4. De patria, 5. Deus enim, 6. Aer enim, 7. Et ideo, 8. Deus enim rorem, 9. Sed diabolus - written by Hildegard of Bingen (German: Hildegard von Bingen; Latin: Hildegardis Bingensis; 1098 – 17 September 1179), also known as Saint Hildegard and Sibyl of the Rhine, a legendary and celebrated German Benedictine abbess, writer, composer, philosopher, Christian mystic, visionary, and polymath. https://www.britannica.com/biography/Saint-Hildegard Saint Ursula, (flourished 4th century, Rome; feast day October 21), legendary leader of 11 or 11,000 virgins reputedly martyred at Cologne, now in Germany, by the Huns, 4th-century nomadic invaders of southeastern Europe. The story is based on a 4th- or 5th-century inscription from St. Ursula’s Church, Cologne, stating that an ancient basilica had been restored on the site where some holy virgins were killed. Mentioned again in an 8th- or 9th-century sermon, the number of maidens increased to several thousand, reportedly martyred under the Roman emperor Maximian. In Jacobus de Voragine’s Legenda Aurea (1265–66; Golden Legend) Ursula is a British princess who went to Rome accompanied by 11,000 virgins and was killed with them by the Huns on the return from the pilgrimage. The discovery at Cologne in 1155 of an ancient Roman burial ground believed to contain these martyrs’ relics inspired additional legends. Ursula is the patron of the Order of St. Ursula (Ursulines), a congregation of nuns dedicated to educating girls. In the 1969 reform of the Roman Catholic church calendar her feast day was reduced to observances in certain localities. https://www.britannica.com/biography/Saint-Ursula Performed by Early Music New York (Frederick Renz, Director). From the album "Music of Medieval Love" (2007). "This recording celebrates medieval women as performers, subjects and composers. There are chants, motets, canciones and conducti of love, both spiritual and temporal, honoring the Blessed Virgin Mary, extolling the virtues of sainted and royal women, and illuminating the everyday lives of cloistered as well as secular women. Of the saints, Mary the Virgin was, of course, the most frequently honored. However, several female saints and martyrs were extolled and revered in medieval poetry and music; Saint Catherine (and her fiery wheel), Saint Ursula (with her 11,000 virgin martyrs), Saint Agnes (the Roman, child martyr), and Saint Margaret (swallowed by Satan in the form of a dragon). Released in association with The Metropolitan Museum of Art to coincide with its "Treasures of a Lost Art exhibit, this albums feature a dozen women artists directed by Frederick Renz, representing the female face of medieval music in the ecstatic, secular and spiritual works of the time."