Cello Concerto in A minor, Op. 40

It is my express wish that any and all possible remuneration that may be my due be instead directed towards all holders of copyright. Gerald Finzi (1901-1956) Cello Concerto in A minor, Op. 40 I. Allegro moderato 0:00 II. Andante quieto 16:50 III. Rondo: Adagio - Allegro giocoso 31:30 Yo-Yo Ma, cello Royal Philharmonic Orchestra Vernon Handley, conductor Gerald Raphael Finzi (1901 - 1956) was a British composer. Finzi is best known as a choral composer, but also wrote in other genres. Large-scale compositions by Finzi include the cantata Dies natalis for solo voice and string orchestra, and his concertos for cello and clarinet. Gerald Finzi was born in London, the son of John Abraham (Jack) Finzi (of Italian Jewish descent) and Eliza Emma (Lizzie) Leverson (daughter of Montague Leverson, of German Jewish descent). Finzi became one of the most characteristically "English" composers of his generation. Despite being an agnostic of Jewish descent, several of his choral works incorporate Christian texts. Finzi's father, a successful shipbroker, died just a fortnight short of his son's eighth birthday. Finzi was educated privately. During World War I the family settled in Harrogate, and Finzi began to study music at Christ Church, High Harrogate, under Ernest Farrar from 1915. Farrar, a former pupil of Stanford, was then aged thirty and he described Finzi as "very shy, but full of poetry". Finzi found him a sympathetic teacher, and Farrar's death at the Western Front affected him deeply. During these formative years he also suffered the loss of all three of his brothers. These adversities contributed to Finzi's bleak outlook on life, but he found solace in the poetry of Thomas Traherne and his favourite, Thomas Hardy, whose poems, as well as those by Christina Rossetti, he began to set to music. In the poetry of Hardy, Traherne, and later William Wordsworth, Finzi was attracted by the recurrent motif of the innocence of childhood corrupted by adult experience. From the very beginning, most of his music was elegiac in tone. After Farrar's death, Finzi studied privately at York Minster with the organist and choirmaster Edward Bairstow. In 1922, following five years of study with Bairstow, Finzi moved to Painswick in Gloucestershire, where he began composing in earnest. His first Hardy settings and the orchestral piece A Severn Rhapsody were soon performed in London to favourable reviews. In 1925, at the suggestion of Adrian Boult, Finzi took a course in counterpoint with R. O. Morris and then moved to London, where he became friendly with Howard Ferguson and Edmund Rubbra. He was also introduced to Gustav Holst, Arthur Bliss and Ralph Vaughan Williams, and Vaughan Williams obtained for him a teaching post at the Royal Academy of Music. Finzi never felt at home in the city and, having married the artist Joyce Black, settled with her in Aldbourne, Wiltshire, where he devoted himself to composing and apple-growing, saving a number of rare Engli