genocidio palestina
From this humble page we want to denounce
the genocidal terrorism that the State of Israel has
been exercising against the Palestinian People.
genocidio palestina
From this humble page we want to denounce
the genocidal terrorism that the State of Israel has
been exercising against the Palestinian People.

November 22nd is the day of St. Cecilia, patron saint of musicians.

Recommended music videos for initiation to classical music

Saint Cecilia , according to the Martyrologium hieronymianum , was a Roman noblewoman converted to Christianity and martyred for her faith on an undetermined date, between the years 180 and 230. In the Catholic Church , she is the patron saint of music and other guilds and municipalities; her attributes are the organ, the lute and roses. Around the year 480, anonymous acts of Saint Cecilia appeared, in Latin, which were transmitted in numerous manuscripts and translated into Greek. According to this text, Cecilia had been a virgin of a Roman senatorial family of the Metellus , who had converted to Christianity since her childhood. Cecilia 's artistic reputation was probably the result of a poor translation of the acts of Saint Cecilia .

Cantantibus organis is an antiphon or hymn in honour of St Cecilia , of which numerous versions have been written. Today we offer the composition written by Peter Philips and performed by The Priory Singers conducted by Harry Grindle.


Classical music (not to be confused with Music of Classicism ) is a type of academic music that is primarily based on music produced or derived from the traditions of liturgical and secular music in the West , with Western Europe as its main focus. It has a transmission referent that is fundamentally of a written type, which is usually linked to the rigorous nature of its reproduction and interpretation. Although in a broad way it covers a period of time that goes approximately from the 11th century to the present.

Classical music has traditionally been divided into several periods, towards which the musicology of the last half century has shown increasing reluctance: 1.- Medieval music , which covers the period comprised by the Late Middle Ages in Europe (1000-1400). 2.- Renaissance music (1400-1600). 3.- Baroque music , which coincides with the development of Baroque art (1600-1750). 4.- Classicism (1750-1820), which in the History of Music and musicology is sometimes called "classical music". 5.- Romanticism (1820-1900). 6.- Contemporary music , which includes the different currents of classical music of the 20th and 21st centuries , which adopts atonal composition and other tendencies opposed to previous currents.

Classical music in general is characterized mainly by the type of language used, which is based on the broad and varied development of musical ideas based on themes, motifs, subjects, countersubjects, phrases, contrapuntal structures, modulating passages, re-exposition sections, thematic variations, etc., which are organized with the aim of creating a particular sound "narrative." With this, the composer creates a descriptive environment of abstract or concrete ideas converted into melody, harmony and rhythm, aimed at giving shape to a sound structure with a specific meaning.

Classical music is distinguished by its adherence to symbolic musical notation, which has been in use since about the 16th century. Such notation allows composers to prescribe in detail the tempo, metre, rhythm, pitch and precise execution of each piece of music. This limits the space for improvisation or ad libitum ornamentation, which are common in non-European art music and popular music. Another characteristic is the development of highly sophisticated and elaborate musical forms and genres, based on complex developments and the use of a very varied and sophisticated instrumentation.

The Best of Classical Music

0´00´´ Tchaikovsky - Nutcracker Suite, Op. 71a: No. 3, Valzer dei Fiori.

7´03´´ Bach - Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie

8´32´´ Beethoven - Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo

18´07´´ Mozart - Eine kleine Nachtmusik in G Major, K. 525: I. Allegro

24´10´´ Mozart - Eine kleine Nachtmusik in G Major, K. 525: II. Romance. Andante 30´49´´ Vivaldi - Concerto for Strings in D Major, RV 121: I. Allegro molto

33´03´´ Rossini - Alleluja

34´58´´ Brahms - Symphony No. 1 in C Minor, Op. 68: III. A little happy and funny

39´37´´ Chopin - Mazurkas, Op. 7: No. 1 in B-Flat Major

42´10´´ Strauss - An der schönen blauen Donau, Op. 314

53´34´´ Corelli - Concerto Grosso No. 1 in D Major, Op. 6: I. Largo

56´30´´ Corelli - Concerto Grosso No. 9 in F Major, Op. 6: III. Gavotta. Allegro

57´35´´ Paganini - 24 Caprices for Violin, Op. 1: Nos. 6, 7, 16 & 22

1h 09´52´´ Vivaldi - Sinfonia in E Major, RV 132: I. Allegro

1h 12´27´´ Chopin - Mazurkas, Op. 33: No. 4 in B Minor

1 h17´19´´ Vivaldi - Sinfonia in C Major, RV 112: I. Allegro

1h 19´18´´ Mendelssohn - Lieder ohne Worte, Op. 62

1h 22´07´´ Mozart - Piano Concerto No. 19 in F Major, K. 459: I. Allegro

1h 34´14´´ Telemann - Viola Concerto in G Major, TWV 51:G9: II. Allegro

1h 37´14´´ Bach - Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro

Classical music (not to be confused with Music of Classicism ) is a type of academic music that is primarily based on music produced or derived from the traditions of liturgical and secular music in the West , with Western Europe as its main focus. It has a transmission referent that is fundamentally of a written type, which is usually linked to the rigorous nature of its reproduction and interpretation. Although in a broad way it covers a period of time that goes approximately from the 11th century to the present.

Classical music has traditionally been divided into several periods, towards which the musicology of the last half century has shown increasing reluctance: 1.- Medieval music , which covers the period comprised by the Late Middle Ages in Europe (1000-1400). 2.- Renaissance music (1400-1600). 3.- Baroque music , which coincides with the development of Baroque art (1600-1750). 4.- Classicism (1750-1820), which in the History of Music and musicology is sometimes called "classical music". 5.- Romanticism (1820-1900). 6.- Contemporary music , which includes the different currents of classical music of the 20th and 21st centuries , which adopts atonal composition and other tendencies opposed to previous currents.

Classical music in general is characterized mainly by the type of language used, which is based on the broad and varied development of musical ideas based on themes, motifs, subjects, countersubjects, phrases, contrapuntal structures, modulating passages, re-exposition sections, thematic variations, etc., which are organized with the aim of creating a particular sound "narrative." With this, the composer creates a descriptive environment of abstract or concrete ideas converted into melody, harmony and rhythm, aimed at giving shape to a sound structure with a specific meaning.

Classical music is distinguished by its adherence to symbolic musical notation, which has been in use since about the 16th century. Such notation allows composers to prescribe in detail the tempo, metre, rhythm, pitch and precise execution of each piece of music. This limits the space for improvisation or ad libitum ornamentation, which are common in non-European art music and popular music. Another characteristic is the development of highly sophisticated and elaborate musical forms and genres, based on complex developments and the use of a very varied and sophisticated instrumentation.

The Best of Classical Music

0´00´´ Tchaikovsky - Nutcracker Suite, Op. 71a: No. 3, Valzer dei Fiori.

7´03´´ Bach - Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie

8´32´´ Beethoven - Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo

18´07´´ Mozart - Eine kleine Nachtmusik in G Major, K. 525: I. Allegro

24´10´´ Mozart - Eine kleine Nachtmusik in G Major, K. 525: II. Romance. Andante 30´49´´ Vivaldi - Concerto for Strings in D Major, RV 121: I. Allegro molto

33´03´´ Rossini - Alleluja

34´58´´ Brahms - Symphony No. 1 in C Minor, Op. 68: III. A little happy and funny

39´37´´ Chopin - Mazurkas, Op. 7: No. 1 in B-Flat Major

42´10´´ Strauss - An der schönen blauen Donau, Op. 314

53´34´´ Corelli - Concerto Grosso No. 1 in D Major, Op. 6: I. Largo

56´30´´ Corelli - Concerto Grosso No. 9 in F Major, Op. 6: III. Gavotta. Allegro

57´35´´ Paganini - 24 Caprices for Violin, Op. 1: Nos. 6, 7, 16 & 22

1h 09´52´´ Vivaldi - Sinfonia in E Major, RV 132: I. Allegro

1h 12´27´´ Chopin - Mazurkas, Op. 33: No. 4 in B Minor

1 h17´19´´ Vivaldi - Sinfonia in C Major, RV 112: I. Allegro

1h 19´18´´ Mendelssohn - Lieder ohne Worte, Op. 62

1h 22´07´´ Mozart - Piano Concerto No. 19 in F Major, K. 459: I. Allegro

1h 34´14´´ Telemann - Viola Concerto in G Major, TWV 51:G9: II. Allegro

1h 37´14´´ Bach - Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro


The Austrian composer Joseph Haydn (1732-1809), whose brother Michael Haydn was also a notable composer, was one of the main pillars on which classicism was based (1750-1820). At the age of six he began his musical studies on harpsichord and violin. At the age of eight he was admitted as a chorister at St. Stephen's Cathedral in Vienna where he continued his studies in singing, piano and violin. After losing his voice, he had to survive by working in various jobs, while studying composition by analysing the works of Carl Philipp Emanuel Bach . He maintained a close friendship with Mozart and was Beethoven 's teacher . He laid the main foundations of the sonata form and the formal structure of the string quartet and the symphony. He died at the age of 77 in Vienna .

The Concerto for Trumpet and Orchestra in E flat major is the only concerto written by Haydn for this instrument. It was composed in 1796, at the request of Anton Weidinger , who spent about 4 years testing his new instrument with minor works and perfecting his own technique. He premiered it on 22 March 1800 in Vienna . It is the first concerto for five-key trumpet, an instrument created to overcome the limitations of traditional brass instruments; an instrument that would be surpassed by the current three-valve trumpet created in 1813.

The concert is divided into three movements, of which the English trumpeter Alison Balsom offers us the third today.


Sergei Rachmaninoff (1873-1943) was a Russian pianist, conductor and composer. Born into an aristocratic family of musicians, he began playing the piano at the age of four, formalising his studies at the St. Petersburg Conservatory and later at the Moscow Conservatory. After the premiere of his First Symphony and the criticism it received, he suffered a creative crisis for four years. Once he had overcome this, he wrote the Piano Concerto No. 2 , which received worldwide recognition. After the Russian Revolution, he moved with his family to Switzerland and in 1935, to the USA, writing numerous works for solo and concert piano, chamber music, symphonic and lyrical music. He is considered one of the most influential pianists of the 20th century and one of the most representative composers of Russia .

Sergei Rachmaninoff 's Prelude in C-sharp minor , Op. 3, No. 2, is part of a suite of five piano pieces entitled Morceaux de fantaisie . The prelude consists of 62 bars arranged in three episodes (ABA) and a coda: It begins with a three-note fortissimo motif that introduces the sombre key of C-sharp minor . In the third bar, the volume changes to pianissimo for the exposition of the theme. The second episode (4'04'') begins with highly chromatic triplets with interlaced chords that descend towards the recapitulation of the main theme (4'52''), offered this time in four scales. The piece closes with a brief coda (5'42'') that ends quietly.

Today we are invited to listen to Valentina Lisitsa (1973), a Ukrainian pianist who has lived in the USA since 1991.

Sergei Rachmaninoff (1873-1943) was a Russian pianist, conductor and composer. Born into an aristocratic family of musicians, he began playing the piano at the age of four, formalising his studies at the St. Petersburg Conservatory and later at the Moscow Conservatory. After the premiere of his First Symphony and the criticism it received, he suffered a creative crisis for four years. Once he had overcome this, he wrote the Piano Concerto No. 2 , which received worldwide recognition. After the Russian Revolution, he moved with his family to Switzerland and in 1935, to the USA, writing numerous works for solo and concert piano, chamber music, symphonic and lyrical music. He is considered one of the most influential pianists of the 20th century and one of the most representative composers of Russia .

Sergei Rachmaninoff 's Prelude in C-sharp minor , Op. 3, No. 2, is part of a suite of five piano pieces entitled Morceaux de fantaisie . The prelude consists of 62 bars arranged in three episodes (ABA) and a coda: It begins with a three-note fortissimo motif that introduces the sombre key of C-sharp minor . In the third bar, the volume changes to pianissimo for the exposition of the theme. The second episode (4'04'') begins with highly chromatic triplets with interlaced chords that descend towards the recapitulation of the main theme (4'52''), offered this time in four scales. The piece closes with a brief coda (5'42'') that ends quietly.

Today we are invited to listen to Valentina Lisitsa (1973), a Ukrainian pianist who has lived in the USA since 1991.


Recommended classical music videos

Henry Purcell (1659-1695) is considered one of the greatest English composers in history. He wrote all kinds of choral and instrumental works, both sacred and secular, among which the opera Dido and Aeneas stands out . After the death of his father and at the urging of his uncle, he was admitted as a member of the choir of the King's Chapel , where he began his first studies. At the age of 17 he was appointed assistant organist at Westminster Abbey; at 23, titular organist, from which time and for six years he only wrote sacred works until 1689, when he wrote various operas. In his work we can see the influence of France and Italy within what would be a style typical of British Baroque . He died at the age of 36, at the height of his career.

Hail! bright Cecilia was written to commemorate Saint Cecilia 's Day, celebrated initially in France and then in England from the late 17th century . For over 30 years, the Musical Society of London commissioned a different composer each year to write a new ode to St Cecilia . The piece was to be performed on 22 November after a large celebratory Mass. Henry Purcell was the first to fulfil the commission with Laudate Ceciliam in 1683. But his ode Hail! bright Cecilia of 1692 was an even greater success. The libretto for the piece is by the Irish poet Nicholas Brady .

Hail! bright Cecilia ( Salve! B rillante Cecilia) . It is a hymn of praise to music itself; it is a ceremonial ode to the patron saint of sacred music: Saint Cecilia . This exuberant vocal piece really shines brightly in this performance by the Belgian ensemble Vox Luminis . The B'Rock Orchestra , also from Belgium , accompanies this musical celebration on historic instruments. The artistic director is the French conductor and bass Lionel Meunier . (Excerpted from the commentary at the bottom of the video.)


Carl Maria von Weber (1786-1826) was a German composer. He learned to sing and play the piano from an early age, and at the age of 12 he received free lessons in Salzburg from Michael Haydn , brother of Joseph Haydn . In 1813 he was appointed conductor of the Prague Orchestra and later of the Dresden Orchestra, while working on his most famous opera Der Freischütz ( The Poacher ); he also composed two other operas, Euryanthe and Oberon ; all three operas are considered by many critics to be masterpieces of the stage genre. In addition to other operas, he composed numerous songs, piano works, chamber works, two symphonies, several overtures, concertos and concertante works for different instruments, three masses and eight cantatas.

The clarinet is a musical instrument from the family of single-reed woodwind instruments (the oboe and bassoon use double reeds). Within the orchestra, it is found in the woodwind section, together with the flute, the oboe, the saxophone and the bassoon. The clarinet's timbre is rich in nuances and expressive possibilities. Together with the flute and the violin, it is the most agile instrument in the orchestra; it can emit any extreme nuance in any of its registers, which makes this instrument an extremely versatile voice.

Parts of the clarinet . Mouthpiece : is the piece where the reed is placed and where the player places his mouth to make the embouchure. The reed is a thin strip of material (usually wood) that, thanks to the wind produced when the player blows, the reed vibrates, producing a sound in the instrument. Barrel : is the element that connects the mouthpiece with the upper body of the instrument. Upper body : is where the left hand is placed when playing and has part of the instrument's mechanism. Lower body : is where the right hand is placed when playing and has part of the instrument's mechanism. Bell : Located at the bottom and has an acoustic function that allows the projection of sound during performance.

Sabine Meyer (born 1959), today's soloist, is a German classical clarinettist, who began playing the clarinet at a very young age. Her first teacher was her father, also a clarinettist. She studied with Otto Hermann in Stuttgart , and then with Hans Deinzer at the Hanover University of Music and Drama. She began her career as a member of the Bavarian Radio Symphony Orchestra , and the Berlin Philharmonic Orchestra , where she was one of the first female members. In addition to her work as a soloist, Sabine Meyer is a committed performer of chamber music, and has performed all styles of classical music. Since 1993 she has been a professor at the Lübeck University of Music .

Carl Maria von Weber (1786-1826) was a German composer. He learned to sing and play the piano from an early age, and at the age of 12 he received free lessons in Salzburg from Michael Haydn , brother of Joseph Haydn . In 1813 he was appointed conductor of the Prague Orchestra and later of the Dresden Orchestra, while working on his most famous opera Der Freischütz ( The Poacher ); he also composed two other operas, Euryanthe and Oberon ; all three operas are considered by many critics to be masterpieces of the stage genre. In addition to other operas, he composed numerous songs, piano works, chamber works, two symphonies, several overtures, concertos and concertante works for different instruments, three masses and eight cantatas.

The clarinet is a musical instrument from the family of single-reed woodwind instruments (the oboe and bassoon use double reeds). Within the orchestra, it is found in the woodwind section, together with the flute, the oboe, the saxophone and the bassoon. The clarinet's timbre is rich in nuances and expressive possibilities. Together with the flute and the violin, it is the most agile instrument in the orchestra; it can emit any extreme nuance in any of its registers, which makes this instrument an extremely versatile voice.

Parts of the clarinet . Mouthpiece : is the piece where the reed is placed and where the player places his mouth to make the embouchure. The reed is a thin strip of material (usually wood) that, thanks to the wind produced when the player blows, the reed vibrates, producing a sound in the instrument. Barrel : is the element that connects the mouthpiece with the upper body of the instrument. Upper body : is where the left hand is placed when playing and has part of the instrument's mechanism. Lower body : is where the right hand is placed when playing and has part of the instrument's mechanism. Bell : Located at the bottom and has an acoustic function that allows the projection of sound during performance.

Sabine Meyer (born 1959), today's soloist, is a German classical clarinettist, who began playing the clarinet at a very young age. Her first teacher was her father, also a clarinettist. She studied with Otto Hermann in Stuttgart , and then with Hans Deinzer at the Hanover University of Music and Drama. She began her career as a member of the Bavarian Radio Symphony Orchestra , and the Berlin Philharmonic Orchestra , where she was one of the first female members. In addition to her work as a soloist, Sabine Meyer is a committed performer of chamber music, and has performed all styles of classical music. Since 1993 she has been a professor at the Lübeck University of Music .


Edvard Grieg (1843-1907) was a Norwegian composer and pianist, widely regarded as one of the leading exponents of musical romanticism. His mother, Gesine , was his first piano teacher; later, in the summer of 1858, Grieg met the legendary Norwegian violinist Ole Bull , a family friend and his mother's brother-in-law. Grieg adapted many themes and songs from his country's folklore, thus contributing to the creation of a Norwegian national identity, as did Jean Sibelius in Finland or Antonín Dvořák in Bohemia . His most important works are: the Piano Concerto in A minor , the intimate Lyric Pieces (for piano), the Holberg Suite (which we offer today) and, especially, Peer Gynt, incidental music that he wrote on behalf of the writer Henrik Ibsen for his eponymous drama.

Catalogue of Grieg's works . His works are classified by their Opus number (from Latin opus 'work'; op. abbreviation) which is a term used in music to catalogue the works of most composers since the 17th century .

The Holberg Suite, Op. 40, originally titled " Suite from the Holberg Period " is a suite based on Baroque dance forms, composed by Edvard Grieg in 1884 to celebrate the second centenary of the birth of the writer Ludvig Holberg . It was originally composed for piano, but a year later it was adapted for string orchestra with the following movements: I (0´09´´) PRELUDE (ALLEGRO VIVACE) .-. II (03:05) SARABANDA (ANDANTE) .-. III (07:22) GAVOTTA (ALLEGRETTO) .-. IV (10:58) ARIA (ANDANTE RELIGIOSO) .-. V (16:44) RIGAUDON (ALLEGRO CON BRIO).

Today it is offered to us by the string section of the Frankfurt Radio Symphony conducted by the German maestro Ruth Reinhardt .


Carmelo Alonso Bernaola (1929-2002) was a Basque composer, music teacher and clarinetist, considered one of the greatest exponents of Spanish music in the second half of the 20th century . Throughout his career he composed more than 300 works including classical music, popular songs such as the Anthem of Athletic Club , and numerous soundtracks for film and television. He was a clarinetist in the Municipal Band of Madrid , a harmony teacher at the Conservatory of Madrid and director of the Jesús Guridi Conservatory of Music in Vitoria from 1981 to 1991. His honours include two National Music Awards, the Gold Medal for Merit in the Fine Arts and his entry into the Music Section of the Royal Academy of Fine Arts of San Fernando.

Symphony No. 2 was commissioned by Radio Nacional de España to celebrate Carmelo Bernaola 's fiftieth birthday. It was meant to be a page of maturity and it has turned out to be the work of a master. The three performances, to enthusiastic applause, by the composer from Otxandiano (Bizkaia) clearly show that the proposed goal has been achieved: to connect with the general public without giving up current thinking in its radical substantiality. Four movements (linked by the intervention of a sextet of strings located in the distance) give us a succession of images and sound events that are extraordinarily beautiful through a prodigious orchestral imagination and within proportions so precisely calibrated that we receive the sensation that not a single note is missing or superfluous. (Extracted from an article by Enrique Franco in El País)

Today's version is offered to us by the RTVE Symphony under the baton of the Levantine maestro Jordi Bernàcer Valdés .

Carmelo Alonso Bernaola (1929-2002) was a Basque composer, music teacher and clarinetist, considered one of the greatest exponents of Spanish music in the second half of the 20th century . Throughout his career he composed more than 300 works including classical music, popular songs such as the Anthem of Athletic Club , and numerous soundtracks for film and television. He was a clarinetist in the Municipal Band of Madrid , a harmony teacher at the Conservatory of Madrid and director of the Jesús Guridi Conservatory of Music in Vitoria from 1981 to 1991. His honours include two National Music Awards, the Gold Medal for Merit in the Fine Arts and his entry into the Music Section of the Royal Academy of Fine Arts of San Fernando.

Symphony No. 2 was commissioned by Radio Nacional de España to celebrate Carmelo Bernaola 's fiftieth birthday. It was meant to be a page of maturity and it has turned out to be the work of a master. The three performances, to enthusiastic applause, by the composer from Otxandiano (Bizkaia) clearly show that the proposed goal has been achieved: to connect with the general public without giving up current thinking in its radical substantiality. Four movements (linked by the intervention of a sextet of strings located in the distance) give us a succession of images and sound events that are extraordinarily beautiful through a prodigious orchestral imagination and within proportions so precisely calibrated that we receive the sensation that not a single note is missing or superfluous. (Extracted from an article by Enrique Franco in El País)

Today's version is offered to us by the RTVE Symphony under the baton of the Levantine maestro Jordi Bernàcer Valdés .


Recommended music videos for all tastes

Chet Baker (1929-1988) was an American jazz trumpeter, singer and musician. An exponent of the cool style (the west coast jazz of the 1950s), Baker was popularly nicknamed the James Dean of jazz due to his good-looking appearance. This, together with the intimacy and lyrical elegance of his first performances - in addition to his unique voice for the genre - made him a jazz musician recognized by the public and critics when he debuted as a soloist; although he had already had notable participations in jazz groups such as Charlie Parker & Chet Baker and the Gerry Mulligan Quartet .


Tini (Martina Stoessel, 1997) is an Argentine actress, singer and songwriter, who began her acting career at the age of 10 with a minor role in the children's series Patito feo . In her adolescence, she rose to international fame in the Disney Channel Latin America original musical youth series Violetta (2012-2015). In 2016, she took a turn in her musical career by signing a contract with Hollywood Records and released her self-titled debut studio album, Tini (2016). From then on, her albums achieved great success in both Argentina and the USA and in several American and European countries. In 2021, she was named to ¡Hola! 's list of the Top 100 Powerful Latinas; and from 2019 to 2022, she was also named one of the 10 Most Influential Women in Argentina .

Tini (Martina Stoessel, 1997) is an Argentine actress, singer and songwriter, who began her acting career at the age of 10 with a minor role in the children's series Patito feo . In her adolescence, she rose to international fame in the Disney Channel Latin America original musical youth series Violetta (2012-2015). In 2016, she took a turn in her musical career by signing a contract with Hollywood Records and released her self-titled debut studio album, Tini (2016). From then on, her albums achieved great success in both Argentina and the USA and in several American and European countries. In 2021, she was named to ¡Hola! 's list of the Top 100 Powerful Latinas; and from 2019 to 2022, she was also named one of the 10 Most Influential Women in Argentina .


Scorpions are a German hard rock and heavy metal band founded in Hanover in 1965. Throughout their more than fifty-year career they have received numerous awards and decorations, making them the most successful rock band in Germany and continental Europe . In 2011, the German specialized press estimated that the group's sales reached 160 million records around the world and during the official presentation of the Echo Awards in 2009, it was mentioned that they had given, up to that moment, more than 5,000 live concerts in more than eighty countries. In addition, until 2015, their albums had been certified with more than thirty-five platinum records and more than one hundred gold records .


Jaya (Maria Luisa Ramsey, Manila 1969) is a Filipino singer, daughter of singer and comedian Elizabeth Ramsey , of Afro-Jamaican and Spanish descent. Her artistic career began in 1989 where she has broken a great record in the American market and where she became the first Filipino artist to enter the Billboard Hot 100 with the song "If You Leave Me Now" managing to reach number 44. She has also resided in Florida and has been assimilated with her compatriot, the singer Pilita Corrales , especially for the style of her voice. In her country she is considered the fifth best-selling female artist of all time.

Jaya (Maria Luisa Ramsey, Manila 1969) is a Filipino singer, daughter of singer and comedian Elizabeth Ramsey , of Afro-Jamaican and Spanish descent. Her artistic career began in 1989 where she has broken a great record in the American market and where she became the first Filipino artist to enter the Billboard Hot 100 with the song "If You Leave Me Now" managing to reach number 44. She has also resided in Florida and has been assimilated with her compatriot, the singer Pilita Corrales , especially for the style of her voice. In her country she is considered the fifth best-selling female artist of all time.


Recommended peculiar videos

Psyché FWV 47 is a symphonic poem composed in 1887 by César Franck , with a text by Sicard and Louis de Fourcaud , inspired by The Metamorphoses of Apuleius (Roman writer of the 2nd century ).

Psyche , daughter of a king and of ineffable beauty, has as her rival Venus , who out of jealousy orders Cupid to make her fall in love with a despicable mortal. But Cupid himself falls in love with her. By order of the divine Apollo , Psyche 's father must abandon his daughter on a rock at the top of a hill. Her future husband, a monstrous flying serpent, will have to come and find her there. Carried by Zephyr , the beauty will find herself happy in a palace. Cupid joins her every night in secret and asks her never to try to know his identity. But, incited by her two sisters, who have joined her, Psyche seeks to know it and Cupid , furious, flees. Mad with grief and remorse, Psyche sets out in search of him: a long and painful search, which will bring her back to the palace; after many adventures, Cupid will save her from a deep deathly sleep. They will marry and she will obtain her immortality. From this union a daughter named Volupté will be born for eternity. (Extracted from the commentary at the bottom of the video)

Choreographed by Alexei Ratmansky and performed by the Paris Opera Ballet with the Paris Opera Orchestra and the Accentus Choir conducted by the German maestro Félix Krieger


Don Quixote is a ballet with a prologue and four acts by Ludwig Minkus and choreography and libretto by Marius Petipa , which would premiere in 1869 at the Bolshoi Theatre , with enormous success both with critics and the public; ballet whose plot is based on the novel by Miguel de Cervantes and in particular on the "marriage of Camacho" ( Gamache in the ballet), an episode narrated in chapter XIX of the second part, which recounts the romance between the barber Basilio and the young Quiteria (Kitri in the ballet).

Alicia Alonso (1920-2019) was a choreographer and teacher, founder and director of the National Ballet of Cuba . A relevant personality in the history of stage dance, a leading figure in classical ballet on an international level and a distinguished personality of Cuban national culture. The art of this legendary dancer has been acclaimed for decades by diverse audiences and specialized critics from around the world. She reached the rank of Prima ballerina assoluta , for the unlimited spectrum of her art, a category that historically few dance artists hold, and which in the tradition of classical dance defines the highest stylistic, expressive and technical qualities in the exercise of this art. In 1948 she founded the Alicia Alonso Ballet in Havana , today the National Ballet of Cuba . (Extracted from the National Ballet of Cuba website)

Don Quixote is a ballet with a prologue and four acts by Ludwig Minkus and choreography and libretto by Marius Petipa , which would premiere in 1869 at the Bolshoi Theatre , with enormous success both with critics and the public; ballet whose plot is based on the novel by Miguel de Cervantes and in particular on the "marriage of Camacho" ( Gamache in the ballet), an episode narrated in chapter XIX of the second part, which recounts the romance between the barber Basilio and the young Quiteria (Kitri in the ballet).

Alicia Alonso (1920-2019) was a choreographer and teacher, founder and director of the National Ballet of Cuba . A relevant personality in the history of stage dance, a leading figure in classical ballet on an international level and a distinguished personality of Cuban national culture. The art of this legendary dancer has been acclaimed for decades by diverse audiences and specialized critics from around the world. She reached the rank of Prima ballerina assoluta , for the unlimited spectrum of her art, a category that historically few dance artists hold, and which in the tradition of classical dance defines the highest stylistic, expressive and technical qualities in the exercise of this art. In 1948 she founded the Alicia Alonso Ballet in Havana , today the National Ballet of Cuba . (Extracted from the National Ballet of Cuba website)


Gerónimo Giménez (Seville, 1854 – Madrid, 1923) was a Spanish composer and conductor, who devoted himself mainly to the composition of zarzuelas, leaving behind notable titles such as La tempranica or La boda de Luis Alonso . He began his musical studies with his father and later continued in Cádiz , with Salvador Viniegra . He was a child prodigy, who at the age of 12 became first violinist at the Teatro Principal in Cádiz . At the age of 17 he was already director of an opera and zarzuela company and received a scholarship to study violin and composition in Paris . In 1885 he was appointed director of the Teatro Apolo in Madrid ; shortly afterwards, director of the Teatro de la Zarzuela and later, director of the Sociedad de Conciertos , a position he held for 12 years. He died in Madrid , on 19 February 1923.

Today the José Racero Ballet offers us a carefully choreographed Prelude to the one-act zarzuela La Torre del Oro by maestro Gerónimo Giménez .


Riccardo Muti (1941) is an Italian conductor who has been musical director of the La Scala opera house in Milan for 19 years; he is therefore well versed in the lyrical and operatic repertoire. Together with Claudio Abbado, he is the benchmark for Italian conductors of his generation and has worked with the best orchestras in the world. In September 2010, Riccardo Muti became musical director of the Chicago Symphony Orchestra and in the same year he was named Musician of the Year by Musical America .

Throughout his extraordinary career, Riccardo Muti has conducted the world's leading orchestras: from the Berlin Philharmonic to the Bavarian Radio Symphony Orchestra , from the New York Philharmonic to the Orchestre National de France, via the Vienna Philharmonic, an orchestra to which he is linked by particularly close and important ties, and with which he has performed in Vienna, Salzburg and throughout the world since 1971.

Riccardo Muti (1941) is an Italian conductor who has been musical director of the La Scala opera house in Milan for 19 years; he is therefore well versed in the lyrical and operatic repertoire. Together with Claudio Abbado, he is the benchmark for Italian conductors of his generation and has worked with the best orchestras in the world. In September 2010, Riccardo Muti became musical director of the Chicago Symphony Orchestra and in the same year he was named Musician of the Year by Musical America .

Throughout his extraordinary career, Riccardo Muti has conducted the world's leading orchestras: from the Berlin Philharmonic to the Bavarian Radio Symphony Orchestra , from the New York Philharmonic to the Orchestre National de France, via the Vienna Philharmonic, an orchestra to which he is linked by particularly close and important ties, and with which he has performed in Vienna, Salzburg and throughout the world since 1971.


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Various Wikipedia articles have been used to write these texts.

The texts of Videomusicalis are written in Basque, Spanish and English.