Piano Concerto in E flat major

Sergei Ivanovich Taneyev (Taneev or Taneiev) - Piano Concerto in E flat major 1. Allegro (E♭ major) 2. Andante funebre (E♭ minor) [World Premiere] Mikhail Voskresensky - piano Moscow Symphony Orchestra Conductor Vladimir Ziva Great Hall of Moscow Conservartory Live recording 25.05.1998 This video is taken from the private collection of Mikhail Voskresensky. Taneyev graduated in 1875, the first student in the history of the Conservatory to win the gold medal both for composition and for performing (piano). He was also the first person ever to be awarded the Conservatory's Great Gold Medal; the second was Arseny Koreshchenko and the third was Sergei Rachmaninoff.That summer he travelled abroad with Rubinstein. That year he also made his debut as a concert pianist in Moscow playing the first piano concerto in D minor of Johannes Brahms, and would become known for his interpretations of Johann Sebastian Bach, Wolfgang Amadeus Mozart and Ludwig van Beethoven. In March 1876 he toured Russia with violinist Leopold Auer. Taneyev was also the soloist in the Moscow première of Tchaikovsky's First Piano Concerto in 1875. Tchaikovsky was clearly impressed by Taneyev's performance; he later asked Taneyev to be soloist in the Russian premiere of his Second Piano Concerto. (After Tchaikovsky's death, Taneyev also completed and premiered his Third Piano Concerto and Andante and Finale. Taneyev attended Moscow University for a short time and was acquainted with outstanding Russian writers, including Ivan Turgenev and Mikhail Saltykov-Shchedrin. During his travels in Western Europe in 1876 and 1877, he met Émile Zola, Gustave Flaubert, César Franck and Camille Saint-Saëns amongst others. When Tchaikovsky resigned from the Moscow Conservatory in 1878, Taneyev was appointed to teach harmony. He would later also teach piano and composition. He served as Director from 1885 to 1889, and continued teaching until 1905.[8] He had great influence as a teacher of composition. His pupils included Alexander Scriabin, Sergei Rachmaninoff, Reinhold Glière, Paul Juon, Julius Conus, and Nikolai Medtner. The polyphonic interweaves in the music of Rachmaninoff and Medtner stem directly from Taneyev's teaching. Scriabin, on the other hand, broke away from Taneyev's influence. http://www.mikhailvoskresensky.com/