Oboe Concerto in D minor, S D935

Alessandro Marcello Oboe Concerto in D minor, S D935 Zagreb soloists Ramon Ortega, oboe 00:00 I. Andante e spiccato 03:37 II. Adagio 07:24 III. Presto The Oboe Concerto in D minor, SD 935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, SZ 799, was written down. Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version. In the 20th and 21st centuries the concerto developed into a well-established repertoire piece, as well as an oboe concerto as performed on keyboard. The Concerto in D minor, SD 935, was published by Jeanne Roger in Amsterdam in 1717, as a Concerto a Cinque (concerto in five parts) for oboe (soloist), strings (two violin and one viola parts) and continuo composed by Alessandro Marcello. No publication date appears in the print: although the year of publication is, depending on author, sometimes given as "ca. 1714-1717" or "c.1716" it can be inferred from the consecutive testaments of the publisher's father (Estienne Roger) and from the sequence of publication numbers. The publication presents the melody lines unadorned, that is: it is left to the performing musician to embellish melodies with ornaments such as trills, mordents and grace notes. Alessandro Marcello published most of his works under a pseudonym (Eterio Stinfalico): the oboe concerto publication was an exception in that sense as it used his real name. Bach's manualiter arrangement, BWV 974, of the Marcello concerto was apparently not based on the Amsterdam edition, but must have been based on a (lost) manuscript version of the concerto that circulated before it was printed. The July 1713 to July 1714 timeframe may fit for the production of the arrangement of this concerto, although an earlier or later date is possible too. Bach's autograph of the solo keyboard arrangement is lost, but the arrangement was copied around 1715 by Bach's second cousin Johann Bernhard, as the third item in a manuscript containing 12 of Johann Sebastian's keyboard transcriptions of Italian and Italianate concertos. In 1739 Johann Bernhard's son Johann Ernst wrote a title page for this collection, suggesting that the collection contained Vivaldi arrangements for organ exclusively. He may have intended th